Renaissance
The Renaissance Collection is where the house language first became clear.
These pieces are built as composed forms. Structure comes first: arcs, bridges, domes, rails, clustered settings, and open fields of metal. Stones are selected for the role they play within that structure. Cabochons establish rhythm and volume. Baguette and trillion cuts introduce direction and tension. Reverse-set diamonds alter how light travels across the surface.
The Renaissance marked a moment in which proportion was reconsidered and the body became central to composition. That principle remains here. Symmetry is present, though seldom fixed. More often, balance is achieved through asymmetry, contrast, and the relation between polished metal, textured pavé, and stone.
Worn, the pieces act in relation to the body rather than upon it. They shift line, interrupt surface, and draw the eye in movement. Each piece is intended to read as an object in its own right, but also as something that defines the presence of the wearer.
